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LITERARY CRITICISM AND COMPARATIVE LITERATURE Single discipline educational activity
Course Sheet Academic Year of enrolment:
Disciplinary Sector:
LITERARY CRITICISM AND COMPARATIVE LITERATURE
Professor and Collaborators:
Hours of classroom activity:
Objectives
Contents Noir, the Mediterranean, the cities.
The course will explore the development of crime fiction between the nineteenth and twentieth century, both in the European and non-European area, not only by focusing on the relationship between the characters and the places, but also by paying particular attention to the Mediterranean area. As a matter of fact the Mediterranean noir is more than a label, a perception, a way of dealing with values and common themes in the narrative production of a number of writers who, coming from countries that overlook the Mediterranean, have felt the need to tell about the deep contrasts between the beauty of the places and the cruelty of the crimes that were perpetrated. From the Ramblas of Barcelona to the port of Marseille, from the alleys of Palermo to the tangle of the streets of Athens and Istanbul, the central part of the course will be devoted to the comparative analysis of the works of Jean-Claude Izzo (set in Marseilles, starring the ex-flick Fabio Montale), by Petros Markaris (set between Athens and Istanbul, starring the Greek police commissioner Costas Charitos) and Santo Piazzese, where Palermo is the background of the investigations of a university researcher.
Extended Syllabus The course will explore the development of crime fiction between the nineteenth and twentieth century, both in the European and non-European area, not only by focusing on the relationship between the characters and the places, but also by paying particular attention to the Mediterranean area. As a matter of fact the Mediterranean noir is more than a label, a perception, a way of dealing with values and common themes in the narrative production of a number of writers who, coming from countries that overlook the Mediterranean, have felt the need to tell about the deep contrasts between the beauty of the places and the cruelty of the crimes that were perpetrated. From the Ramblas of Barcelona to the port of Marseille, from the alleys of Palermo to the tangle of the streets of Athens and Istanbul, the central part of the course will be devoted to the comparative analysis of the works of Jean-Claude Izzo (set in Marseilles, starring the ex-flick Fabio Montale), by Petros Markaris (set between Athens and Istanbul, starring the Greek police commissioner Costas Charitos) and Santo Piazzese, where Palermo is the background of the investigations of a university researcher.
NOVELS to read and study:
1) J.C. Izzo - Total Khéops (Casino Totale ed. E/O)
2) S. Piazzese - I delitti di via Medina-Sidonia (Sellerio ed.)
3) P. Markaris - La Balia (Bompiani ed.)
Critical essays:
- S.Calabrese, La crime fiction (Carocci) ;
- J.C. Izzo, Aglio Menta e basilico (ed. E/O);
- Antologia di saggi critici (dispensa in formato cartaceo e/o pdf)
Recommended for further information:
- L.Martinelli - E.Ricci, Narrazioni in giallo e nero, Palermo Univ.Press ;
- “Noir De Noir”: Un’indagine Pluridisciplinare, a cura di D. Vermandere e M. Jansen, Peter Lang Pub Inc, 2010;
- G.Bertieri – C.Oliva, I maestri del giallo, Ed.ATì;
- D. Panosetti, Semiotica del testo letterario, Carocci ;
- R.Selmini, Da Kurt Wallander a Salvo Montalbano, Carocci ;
- D. Silvi, Letteratura transmediale, Ed.Bordeaux.
Recommended Bibliography NOVELS:
1) J.C. Izzo - Total Khéops (Casino Totale ed. E/O)
2) S. Piazzese - I delitti di via Medina-Sidonia (Sellerio ed.)
3) P. Markaris - La Balia (Bompiani ed.)
CRITICAL ESSAYS:
- S.Calabrese, La crime fiction (Carocci) ;
- J.C. Izzo, Aglio Menta e basilico (ed. E/O);
- Antologia di saggi critici (dispensa in formato cartaceo e/o pdf)
Recommended for further information:
- L.Martinelli - E.Ricci, Narrazioni in giallo e nero, Palermo Univ.Press ;
- “Noir De Noir”: Un’indagine Pluridisciplinare, a cura di D. Vermandere e M. Jansen, Peter Lang Pub Inc, 2010;
- G.Bertieri – C.Oliva, I maestri del giallo, Ed.ATì;
- D. Panosetti, Semiotica del testo letterario, Carocci ;
- R.Selmini, Da Kurt Wallander a Salvo Montalbano, Carocci ;
- D. Silvi, Letteratura transmediale, Ed.Bordeaux.
Teaching Methods PROCEDURES : The course is structured in 54 hours of face to face lecturers, divided into 2-hour lessons according to the academic calendar. face to face lecturers consists of theoretical lessons with audio/visual material as well as slides. During the course the attending students will be given a written test with questions aimed to verify the knowledge and understanding of the topics covered.
Evaluation methods Verification of learning:
1) A Written exercise (with closed and open questions) on the first part of the program is part of the text (evaluation will be expressed in letters from A to D with the possibility of an integration for the final oral exam);
2. the Final oral exam will cover the second part of the program (for those who take part to the written exercise) or an oral exam on the whole program.
The written exercise (and the oral exam), check not only the knowledge and understanding of the topics covered, but also the correct use of the vocabulary for critics and the ability to manage in a structured way the issues discussed during the course.
Contacts/More Information attendance IS highly RECOMMENDED.
NON-ATTENDING STUDENTS are encouraged to contact the teacher before starting their studies for the exam.
Tutoring activities are planned throughout the academic year.